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Long Papers

  • Steven Abrams, Robert M. Fuhrer, Daniel V. Oppenheim, Donald P. Pazel, James L. Wright.
    A Framework for Representing and Manipulating Tonal Music
  • Michael A. Casey, Alex Westner.
    Seperation of Mixed Audio Sources by Independent Subspace Analysis
  • François Déchelle, Norbert Schnell, Riccardo Borghesi.
    The JMax Environment: An Overview of New Features.
  • Pirouz Djoharian.
    Shape and Material Design in Physical Modeling Sound Synthesis
  • Robert Frank.
    Temporal Elements: A Cognitive System of Analysis for Electro-Acoustic Music
  • Hui-Ling Lu, Julius O. Smith.
    Glottal Source Modeling for Singing Voice Synthesis
  • Norbert Schnell, Geoffroy Peeters, Serge Lemouton, Philippe Manoury, Xavier Rodet.
    Synthesizing a Choir in Real-Time Using Pitch Synchronous Overlap Add (PSOLA)

Short Papers

  • Carlos Agon, Marco Stroppa, Gerard Assayag.
    High Level Musical Control of Sound Synthesis in Open Music
  • Marc Aird, Joel Laird, John Fitch.
    Modelling a Drum by Interfacing 2-D and 3-D Waveguide Meshes
  • Torsten Anders.
    Arno: Constraints Programming in Common Music
  • Federico Avanzini.
    On the Use of Weighted Sample Methods in Digitizing the Clarinet Equations
  • Bank Balazs.
    Nonlinear Interaction in the Digital Waveguide with the Application to Piano Synthesis
  • Robin Bargar.
    Coney Island: Combining JMax, Spat and VSS for Acoustic Integration of Spatial and Temporal Models in a Virtual Reality Installation
  • Robin Bargar.
    Models and Deformations in Procedural Synchronous Sound for Animation
  • Andrea Bari, Sergio Canazza, Giovanni De Poli, Gian Antonio Mian.
    Improving the Extended Kalman Filter Method for the Restoration of Electro-Acoustic Music
  • Natasha Barrett.
    A Compositional Methodology Based on Data Extracted from Natural Phenomena
  • Julien Bensa, Kristoffer Jensen, Richard Kronland-Martinet, Sølvi Ystad.
    Perceptual and Analytical Analysis of the Effect of the Hammer Impact on the Piano Tones
  • Laura Bianchini.
    Varèse - Le Corbusier. Scenes from a Rebellious Thought. Reconstruction of the Poème Electronique.
  • Maarten de Boer, Jordi Bonada, Pedro Cano, Xavier Serra.
    Using the Sound Description Interchange Format within the SMS Applications
  • Carola Böhm, Donald MacLellan, Cordy Hall.
    MuTaTeD'II: A System for Music Information Retrieval of Encoded Music
  • Jordi Bonada.
    Automatic Technique in Frequency Domain for Near-Lossless Time-Scale Modification of Sounds
  • Richard Boulanger.
    Scanned Synthesis: An Introduction and Demonstration of a New Synthesis and Signal Processing Technique
  • Eli Brandt.
    Temporal Type Constructors for Computer Music Programming
  • Roberto Bresin, Anders Friberg.
    Rule-Based Emotional Coloring of Music Performance
  • Phil Burk.
    Jammin' on the Web: A New Client/Server Architecture for Multi-User Musical Performance
  • Antonio Camurri.
    Synthesis of Expressive Movement
  • Antonio Camurri, Paolo Coletta, Massimiliano Peri, Matteo Ricchetti, Andrea Ricci, Riccardo Trocca, Gualtiero Volpe.
    A Real-Time Platform for Interactive Dance/Music Systems
  • Sergio Canazza.
    Real-Time Morphing among Different Expressive Intentions in Audio Playback
  • Pedro Cano, Alex Loscos, Jordi Bonada, Maarten de Boer, Xavier Serra.
    Voice Morphing System for Impersonating in Karaoke Applications
  • Harry Castle.
    Fleece Graphical 3-D Trajectory Specification Software for Spatialization in Live Performance
  • Ali Taylan Cemgil, Bert Kappen, Peter Desain, Henkjan Honing.
    On Tempo Tracking: Tempogram Representation and Kalman Filtering
  • Insook Choi.
    Embedding a Sensory Data Retrieval System in a Movement-Sensitive Space and a Surround Sound System
  • Marek Claussen, Ludger Solbach.
    Streaming Structured Audio
  • Richard W. Dobson.
    Developments in Audio File Formats
  • Gianpaolo Evangelista.
    The Short-Time Laguerre Transform: A New Method for Real-Time Frequency Warping of Sounds
  • Kenneth Fields.
    The Interdisciplining of Computer Music
  • Kelly Fitz, Lippold Haken, Paul Christensen.
    A New Algorithm for Bandwidth Association in Bandwidth-enhanced Additive Sound Modeling
  • Kelly Fitz, Lippold Haken, Paul Christensen.
    Transient Preservation under Transformation in an Additive Sound Model
  • Federico Fontana.
    Online Correction of Dispersion Error in 2D Waveguide Meshes
  • Robert Frank, Willi Steinke.
    Bridging the Gulf between Music and Listener: Effect of Style Label and Descriptive Notes on Listeners' Ratings of Understanding, and Liking, and Artistic Merit of Electro-acoustic Music
  • Howard Jonathan Fredrics.
    Lars-Gunnar Bodin's "Anima": Intervallic Symmetry as a Metaphor for a Cybernetic Age
  • Ichiro Fujinaga, Karl MacMillan.
    Realtime Recognition of Orchestral Instruments
  • Denise Garcia.
    Body Representation in the Electroacoustic Music
  • Kostas Giannakis, Matt Smith.
    Auditory-Visual Associations for Music Compositional Processes: A Survey
  • Mara Helmuth.
    Sound Exchange and Performance on Internet2
  • Keiji Hirata, Rumi Hiraga.
    Next Generation Performance Rendering: Exploiting Controllability
  • Patty Huang, Stefania Serafin, Julius O. Smith.
    A Waveguide Mesh Model of High-Frequency Violin Body Resonances
  • Andy Hunt, Marcelo M. Wanderley, Ross Kirk.
    Towards a Model for Instrumental Mapping in Expert Musical Interaction
  • Jaein Hwang.
    Design and Analysis of Virtual Music Environments (VME).
  • Hanna Järveläinen, Tony Verma, Vesa Välimäki.
    The Effect of Inharmonicity on Pitch in String Instrument Sounds
  • Ronald Kuivila.
    Forests and Trees: Distinguishing Many from Few with a Video Camera
  • Mikael Laurson.
    Real-Time Implementation and Control of a Classical Guitar Synthesizer in SuperCollider
  • Stephane Letz.
    Real-Time Composition in Elody
  • Peter Lundén.
    Snd3D: A 3D Sound System for VR and Interactive Applications
  • Matija Marolt.
    Adaptive Oscillator Networks for Partial Tracking and Piano Music Transcription
  • Shu Matsuda, Takayuki Rai.
    DIPS: Real-Time Digital Image Processing Objects for Max Environment
  • James McCartney.
    A New, Flexible Framework for Audio and Image Synthesis
  • Maureen Mellody, Gregory H. Wakefield.
    Signal Analysis of the Singing Voice: Low-Order Representations of Singer Identity
  • Massimo Melucci, Nicola Orio, Marco Gambalunga.
    An Evaluation Study on Music Perception for Musical Content-based Information Retrieval
  • Gordon Monro.
    In-Phase Corrections for Ambisonics
  • Roberto Morales, Eduardo F. Morales, L. Enrique Sucar.
    Integrating Bayesian Networks with Logic Programs for Music
  • Stephane Natkin.
    Mapping a Virtual Sound Space into a Real Visual Space
  • Charles Nichols.
    The VBow: A Haptic Musical Controller Human-Computer Interface.
  • Ingeborg Okkels, Anders Conrad.
    Bricoleur and Engineer in Computer Music
  • Sile O'Modhrain, Stefania Serafin, Chris Chafe, Julius O. Smith.
    Influence of Attack Parameters on the Playability of a Virtual Bowed String Instrument: Tuning the Model
  • Sile O'Modhrain, Chris Chafe.
    The Performer-Instrument Interaction: A Sensory Motor Perspective
  • Ishikawa Osamu, Aono Yushi, Katayose Haruhiro, Kosuke Sato, Inokuchi Seiji.
    Extraction of Musical Performance Rules Using a Modified Algorithm of Multiple Regression Analysis
  • Francois Pachet, Olivier Delerue, Peter Hanappe.
    Dynamic Audio Mixing
  • Francois Pachet.
    Rhythms as Emerging Structures
  • Joseph Paradiso, Kai-Yuh Hsiao, Joshua Strickon, Peter Rice.
    New Sensor and Music Systems for Large Interactive Surfaces
  • Donald P. Pazel, Steven Abrams, Robert M. Fuhrer, Daniel V. Oppenheim, James L. Wright.
    A Distributed Interactive Music Application Using Harmonic Constraint
  • Geoffroy Peeters, Steven McAdams, Perfecto Herrera.
    Instrument Description in the Context of MPEG-7
  • Pietro Polotti.
    Time-Spectral Modeling of Sounds by Means of Harmonic Wavelets
  • Ville Pulkki.
    Generic Panning Tools for Max/MSP
  • Dominique M. Richard.
    Music as Handwerk: The Middle Way between Vorhandenheit and Zuhandenheit
  • Anna Rubin.
    Forêt profonde by F. Dhomont: Representation of the Unconscious
  • Bernd Schoner, Charles Cooper, Neil Gershenfeld.
    Cluster-Weighted Sampling for Synthesis and Cross-Synthesis of Violin Family Instruments
  • Nico Schüler.
    Towards a General Methodological Classification of Computer-Assisted Music Analysis
  • Maja Serman, Griffith Niall.
    Tracking Monophonic Music for Modelling Melodic Segmentation Processes
  • Tomonari Sonoda, Yoichi Muraoka.
    A WWW-based Melody Retrieval System: An Indexing Method for a Large Melody Database
  • Tapio Takala, Jarmo Hiipakka, Mikael Laurson, Vesa Välimäki.
    An Expressive Synthesis Model for Bowed String Instruments
  • Yoichiro Taki, Kenji Suzuki, Shuji Hashimoto.
    Real-Time Initiative Exchange Algorithm for Interactive Music System
  • Harvey Thornburg.
    A Flexible Analysis/Synthesis Method for Transients
  • Dan Trueman, Curtis Bahn, Perry R. Cook.
    Alternative Voices for Electronic Sound: Speakers and Sensor-Speaker Arrays (SenSAs)
  • Riitta Väänänen, Jyri Huopaniemi, Ville Pulkki.
    Comparison of Sound Spatialization Techniques in MPEG-4 Scene Description
  • Vesa Välimäki, Mikael Laurson, Cumhur Erkut, Tero Tolonen.
    Model-Based Synthesis of the Clavichord
  • Christophe Vergez, Xavier Rodet.
    Air Flow Related Improvements for Basic Physical Models of Brass Instruments
  • William Verplank, Max V. Mathews, Robert Shaw.
    Scanned Synthesis
  • Gregory H. Wakefield.
    A Mathematical Framework for Comparing the Perceptual Response to Different Analysis/Synthesis Techniques: Ground Rules for a Synthesis Bake-off
  • Gregory H. Wakefield, Laurie M. Heller, Laurel H. Carney, Maureen Mellody.
    On the Perception of Transients: Applying Psychophysical Constraints to Improve Audio Analysis and Synthesis
  • Marcelo Wanderley, Jean-Philippe Viollet, Fabrice Isart, Xavier Rodet.
    On the Choice of Transducer Technologies for Specific Musical Functions
  • Ian Whalley.
    Emotion, Theme, and Structure: Enhancing Computer Music through System Dynamics Modelling
  • Gerhard Widmer.
    Large-Scale Induction of Expressive Performance Rule: First Quantitative Results
  • Todd Winkler.
    Participation and Response in Movement-Sensing Installations
  • Matthew Wright.
    An XML-based SDIF Stream Relationships Language

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